With
its extensive musical revue "A Salute
To Broadway," Class Act Productions gave about 100 area youngsters
an outstanding experience in musical theater on a recent night at the
Nancy Bock Center for the Performing Arts. It also gave this community
a virtual history of the best in Broadway music. Class Act Founder/
Director, Keith Brumfield, has hit yet another home run!
With great musical support from the trio of Robert
Hunt (piano), Walter Cross (drums), and Bari Brumfield (Keyboards), the
full cast rocketed on stage with "Jellicle Songs for Jellicle Cats," from the
hit show, "Cats." With just three weeks of rehearsals, and
dressed in the elegant simplicity of black dance costumes with "tuxedo" T-shirts,
the talented youngsters (from grade school to high school age) offered
many fine vocal solo moments and solid choral singing, while showing
considerable mastery of the dance routines (choreographer, Bonnie Schuetz,
of Boni's Dance & Performing Arts Studio). Lorryn LaDean performed
a thrilling and powerful "Memory," also from "Cats."
A pint-sized powerhouse named Nicole Dunton wowed the crowd with "Born
to Entertain." Jason Spradley showed he could probably give enunciation
lessons with his fine "It's A Grand Night For Singing." The
Cast One group provided an utterly joyful "Meet Me In St. Louis," and
with "The Boy Next Door," Staci Talamonti demonstrated not
only how to sing sweetly, but also how to quickly recover like a pro
if a line is missed in performance. With eyes shining and ease of gesture,
beaming Kelly Peters offered a joyful "Trolley Song" that would
have made Judy Garland proud. Emily Weir sweetly closed out the segment
with a gentle and delicate "Have Yourself A Merry Little Christmas."
Effervescent Caitlin Vaughn provided a bouncing and first-rate "Honey
Bun," and was not afraid to go after those illusive high notes.
With "I Whistle a Happy Tune," there was a virtual Rockette
dance line from the song and dance talents of Leah Balagopal, Caroline
Davis, Nicole Dunton, Morgan Starr and Shelby Thompson.
Jimmy Dolphin and Whitney Meissner offered a sweet duet of "All
Er Nothin'," from Oklahoma. Then talented Elisa Regulski showed
great potential and amazed the audience by singing the very difficult "Don't
Cry For Me Argentina." Like Miss Talamonti before her, she showed
true professionalism as she quickly carried on after a brief slip in
the challenging lyrics. Next, with fine voice, comic flair, and a true
sense of theater, Katie King showed she is a budding actress with the
hilarious, " Adelaide's Lament," from "Guys and Dolls." With
colorful western hats for all, Hunter Middleton led Cast Two in a fun-filled,
foot-stomping, hoedown version of "One More Angel In Heaven" that
seemed to fit right in here in Texas.
Mr. Dolphin returned to join the same fine Cast Two choral group for
a bright and pleasing "Any Dream Will Do." One could almost
envision the cozy hearth as Megan McCollum warmed herself by the fire
in "Wouldn't It Be Lovely?" Then, with angelic voice, came
a bright and gleaming Georgia Wilkinson to sing "I Could Have Danced
All Night." This gal could give smile lessons on the side, and she
knows how to hold the long notes! Middleton returned with the full cast
to close Act I with a knockout "Get Me to the Church On Time."
I recently saw "Wicked" on Broadway, and while it is an eye-popping
production with some clever plot lines (as a prequel to "The Wizard
of Oz"), I confess I was not enthusiastic about most of the music.
But that did not keep me from enjoying Sarah Boleslawski, Shannon Stockton,
and Cast Two as they did a fine medley of songs from the show that
featured some fine dancing as well.
Caity Pitts showed how to vocalize heartbreak with a touching "Can't
Help Lovin' That Man." Jimmy Dolphin and the Theatre Class Boys
did a nice job of introducing me to two songs from a show with which
I was completely unfamiliar: "Newsies." A highlight of the
evening's fun came with the Theatre Class children in "Hard Knock
Life." These kids can scrub my floors anytime! Caity Pitts capped
the fun with her portrayal of a very drunk Miss Hannigan in "Little
Girls." There was plenty of "ham" on display in the rhythmic "I
Just Can't Wait to Be King," featuring Cole Thompson, Caroline Davis,
Morgan Starr, Shelby Thompson and Nicole Dunton. The Act One players
had finger-snapping, hand-clapping dance routines for "You Can't
Stop the Beat," and a dazzling, top-hatted song-and-dance tribute
to "Irving Berlin's America." The Overture group offered a
cute "Disney Silly Sing-A-Long." Cast One provided a fine "Bye,
Bye Birdie" medley with an hilarious performance of "Kids," and
nice solos from Michael Hanna and Mandy Sanders.
At the close, Kelly Peters showed exceptional talent and stage presence
with "I've Got the Sun in the Morning," and Christine Millet
displayed an almost operatic purity with her lead-in to the spectacular
full cast finale of "There's No Business Like Show Business." As
Ed Sullivan used to say: It was "a really big show!"
Bentley's columns have appeared in newspapers from the East Coast to
the Gulf Coast and may be viewed on the Web site at: www.ThePeoplesCritic.com.
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